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Welcome to my little digital art space!
As part of UAL’s Black History Month Campaign (2024) Collaborative Collage with Asili Taylor and Hannah Smith “ This year’s theme, Reclaiming Narratives, reminds us of the importance of correcting historical inaccuracies and celebrating the untold stories of Black heritage and culture. It’s about recognising the achievements of Black individuals, both in the UK and…
Originally Published by Melissa Jetzer at Journal of Arts 13th July 2020 Journal of Arts was an online publication journal based in Switzerland. They would frequently publish articles written by Switzerland based artists and review based content about things such as exhibitions or texts. Following the protests in response to the murder of George Floyd…
CSM DEGREE SHOW, 13.06.23 -18.06.23 (This image features the work of Scarlett Morrow, Lizzie Sinden, Charlie Henzi & Andrea Saiz Marcos) POV explores the complexities of womanhood and femininity, seeking to re-shape the perceptions of women from different cultural, ethnic, social, occupational, and historical backgrounds. The body of work presented intertwines with themes of erotica,…
16.03.23 Disruption, Labour, Misrecognition is an experimental video piece exploring the intricacies of gender identity and presentation. In this video piece I explore my relationship to traditional notions femininity. The video is a confession of an ongoing internal conflict, where one must accept they are an unintentional disruption to the status quo, or take on…
01.12.22 In – between – ness This video piece is an exploration of a state of isolation. A state of being in-between. Where I am a part of everything and nothing at the same time. Connected to multiple ethnic and cultural backgrounds that remain unexplored, unexperienced or unreachable. Where gender is ambiguous when hyper-femininity is…
The Multisensory: Digital Publication View the rest of The Multisensory Publication here! Check out our experimental website here! The Multisensory: The Troubles of Online
The film is critical exploration on a new age form of minstrelsy, paralleling the online landscape pertaining to black imagery and drawing comparisons to historical uses of racist imagery in the media.
Ama Ogwo 